07 «Хор забвения» — пакет генерации P1 (персонажи и места)

Character reference sheet: FOUR views of ONE man on a neutral grey background, arranged in a clean grid of four large cells, even studio light, no shadows on the backdrop.
Cell 1: full body, front. Cell 2: full body, three-quarter. Cell 3: head and shoulders portrait, neutral. Cell 4: head and shoulders portrait, three-quarter, tired and listening.
{ORLOV}
Exactly the same face with the bold scar splitting the left eyebrow down the cheekbone, the same short greying hair, the same dark layered work jumpsuit in all four cells. Thin cell borders, no captions.
Photorealistic, cinematic, muted palette.
no readable text, no letters, no numbers, no logos, no flags, no glossy skin, no beauty retouch, no wood, no cartoon, no 3d render, no planks, no timber

Six close-up expressions of the same 40-year-old man in one row on a neutral grey background, even light: calm, tired, listening, doubt, grief, resolve.
{ORLOV} {STYLE}
Same face in all six, only the expression changes. No captions.
no text, no letters, no logos, no cartoon, no 3d render

Character reference sheet: FOUR views of ONE woman on a neutral grey background, four large cells, even studio light, no shadows on the backdrop.
Cell 1: full body, front. Cell 2: full body, three-quarter. Cell 3: head and shoulders portrait, neutral. Cell 4: head and shoulders portrait, listening and slightly worried.
{DAI}
Exactly the same face with the pale scar across the left eyebrow, the same black hair tied back low, the same off-white medical tabard over a dark thermal layer in all four cells. Thin cell borders, no captions.
Photorealistic, cinematic, muted palette.
no readable text, no letters, no numbers, no logos, no flags, no glossy skin, no beauty retouch, no make-up, no wood, no cartoon, no 3d render, no planks, no timber

Empty set plate, no people. Interior of the bridge of an old cargo freighter, seen from the doorway looking at the wide faceted window: two worn crew seats, utilitarian consoles with small readouts, a dented metal mug and a paper logbook with a pencil on the console, a faded photograph taped to the panel beside the window.
{BRIDGE} {LIGHT_COLD} {STYLE}
Beyond the window: deep black space with a sparse scatter of stars, nothing else.
no national flags, no insignia, no readable text or letters, no logos, no wood, no glossy sci-fi chrome, no square window grids, no cartoon, no 3d render, no planks, no timber, no flag
camera: very slow push-in, 24mm, eye level, one-point perspective towards the window; light: TWO motivated sources - a warm amber practical lamp low on the left raking across the console, and a cold blue console glow from the right; floating dust visible in the warm beam, faint haze, deep black space beyond the glass

Same shot as the day plate reference: the same bridge, the same camera position, the same objects and the same stars outside. Change ONLY the lighting: {LIGHT_SONG} The sphere {BUOY_ON} stands on the console in the middle, warm golden light crossing the room, the cold blue surviving only in the shadows.
{STYLE}
no national flags, no insignia, no readable text or letters, no logos, no wood, no cartoon, no 3d render, no planks, no timber, no flag

Empty set plate, no people. A vast cryo hall of a colony freighter: rows upon rows of vertical cryo capsules receding into darkness, each with one small blue indicator light, frost on the glass, condensation, a narrow service walkway between the rows.
{CRYO} {LIGHT_COLD} {STYLE}
Photorealistic, deep focus, cold blue overall, one warm practical lamp allowed far in the background.
no national flags, no insignia, no readable text or letters, no logos, no wood, no glossy sci-fi chrome, no square window grids, no cartoon, no 3d render, no planks, no timber, no flag
camera: slow wide dolly, 21mm, one-point perspective straight down the aisle between the capsule rows; light: TWO motivated sources - the cold blue indicators of the capsules themselves, and one warm amber work lamp far down the aisle; frost, condensation and fine floating dust in the lamp beam

Macro of a one-metre sphere of dark unscratched metal standing on the floor of a cargo airlock, cold and inert, its surface covered with a faint engraved pattern of tiny non-human glyphs. Steel grating floor, cargo straps and a tool left nearby. Cold blue light.
{BUOY} {STYLE}
no readable text or letters, no logos, no wood, no cartoon, no 3d render, no planks, no timber, no flag
camera: static macro with a barely perceptible push, 50mm, low angle on the sphere; light: TWO motivated sources - a cold work lamp from the left and a faint warm reflection from the corridor behind; dust in the beam, cold condensation on the metal

The same sphere, same place, same
{BUOY_ON} {STYLE}
no readable text or letters, no logos, no wood, no cartoon, no 3d render, no planks, no timber, no flag
camera: static macro, 50mm, low angle, the sphere filling a third of the frame; light: the sphere itself is the warm source, plus one cold work lamp from the left for the rim; dust drifting through the golden light, deep shadows around

Wide exterior of a colonial freighter in deep space, seen from the side at a slight three-quarter angle.
The ship: a long three-hundred-metre load-bearing spine; four cylindrical cryo sections along the hull with lattice covers and frost; a rotating habitat ring about sixty metres across amidships; two pairs of long matte radiator wings; a low bridge block at the bow with faceted slanted glazing; a thermonuclear tug at the stern.
Industrial and mass-produced, forty years of service: patched plating, dark streaks, stencilled markings weathered to illegibility, taped cable runs, no glossy chrome, no smooth white starship.
{STYLE}
no readable text, no letters, no logos, no flags, no national insignia, no glossy chrome, no glowing warp nacelles, no smooth starship, no planet in frame, no wood, no cartoon, no 3d render, no planks, no timber

Wide exterior of a colonial freighter in deep space, seen from the side at a slight three-quarter angle.
The ship: a long three-hundred-metre load-bearing spine with no rotating ring anywhere; six cylindrical
cryo sections along the hull with lattice covers and frost; two pairs of long matte radiator wings; a low
bridge block at the bow with faceted slanted glazing; a thermonuclear tug at the stern.
On the upper spine, one small patched-on point-defence turret with a single barrel, welded by the crew,
its paint mismatched and hand-labelled: small, not a warship battery.
Industrial and mass-produced, forty years of service: patched plating, dark streaks, stencilled markings
weathered to illegibility, taped cable runs, no glossy chrome, no smooth white starship.
{STYLE}
no readable text, no letters, no logos, no flags, no national insignia, no glossy chrome, no glowing warp nacelles, no smooth starship, no rotating ring, no ring structure, no planet in frame, no wood, no cartoon, no 3d render, no planks, no timber

Wide exterior of a colonial freighter in deep space, side view at a slight three-quarter angle.
This variant: a long flat hull stacked with modular cargo containers in two rows, a small bridge block at the bow, radiators on the sides.
Industrial and mass-produced, forty years of service: patched plating, dark streaks, stencilled markings weathered to illegibility, taped cable runs, one small patched-on point-defence turret with a single barrel welded by the crew, almost no windows anywhere - a sealed ark hull with only the bridge glazed, no glossy chrome, no smooth white starship.
{STYLE}
no readable text, no letters, no logos, no flags, no national insignia, no glossy chrome, no glowing warp nacelles, no rotating ring, no ring structure, no planet in frame, no wood, no cartoon, no 3d render, no planks, no timber

Wide exterior of a colonial freighter in deep space, side view at a slight three-quarter angle.
This variant: a compact tug at the front pulling a train of six separate cylindrical modules on a lattice spine, coupling rings between them, radiators folded along the sides.
Industrial and mass-produced, forty years of service: patched plating, dark streaks, stencilled markings weathered to illegibility, taped cable runs, one small patched-on point-defence turret with a single barrel welded by the crew, almost no windows anywhere - a sealed ark hull with only the bridge glazed, no glossy chrome, no smooth white starship.
{STYLE}
no readable text, no letters, no logos, no flags, no national insignia, no glossy chrome, no glowing warp nacelles, no rotating ring, no ring structure, no planet in frame, no wood, no cartoon, no 3d render, no planks, no timber

Wide exterior of a colonial freighter in deep space, side view at a slight three-quarter angle.
This variant: a massive rectangular slab of a ship, four long radiator wings extending sideways, one small bridge blister on the upper face, no visible windows otherwise.
Industrial and mass-produced, forty years of service: patched plating, dark streaks, stencilled markings weathered to illegibility, taped cable runs, one small patched-on point-defence turret with a single barrel welded by the crew, almost no windows anywhere - a sealed ark hull with only the bridge glazed, no glossy chrome, no smooth white starship.
{STYLE}
no readable text, no letters, no logos, no flags, no national insignia, no glossy chrome, no glowing warp nacelles, no rotating ring, no ring structure, no planet in frame, no wood, no cartoon, no 3d render, no planks, no timber

Wide exterior of a colonial freighter in deep space, side view at a slight three-quarter angle.
This variant: a long load-bearing spine carrying a single wide habitat drum (not a ring) amidships, cryo cylinders forward, engine section aft.
Industrial and mass-produced, forty years of service: patched plating, dark streaks, stencilled markings weathered to illegibility, taped cable runs, one small patched-on point-defence turret with a single barrel welded by the crew, almost no windows anywhere - a sealed ark hull with only the bridge glazed, no glossy chrome, no smooth white starship.
{STYLE}
no readable text, no letters, no logos, no flags, no national insignia, no glossy chrome, no glowing warp nacelles, no rotating ring, no ring structure, no planet in frame, no wood, no cartoon, no 3d render, no planks, no timber

Wide exterior of a colonial freighter in deep space, side view at a slight three-quarter angle.
This variant: an open lattice truss frame instead of a solid hull: everything visible - tanks, cryo cylinders, cable runs, radiators, a small pressurised bridge pod at the front.
Industrial and mass-produced, forty years of service: patched plating, dark streaks, stencilled markings weathered to illegibility, taped cable runs, one small patched-on point-defence turret with a single barrel welded by the crew, almost no windows anywhere - a sealed ark hull with only the bridge glazed, no glossy chrome, no smooth white starship.
{STYLE}
no readable text, no letters, no logos, no flags, no national insignia, no glossy chrome, no glowing warp nacelles, no rotating ring, no ring structure, no planet in frame, no wood, no cartoon, no 3d render, no planks, no timber

Wide exterior of a colonial freighter in deep space, side view at a slight three-quarter angle.
This variant: a small compact reliable vessel, about one hundred and fifty metres: a squat cylindrical hull with heavy shielding, one small bridge, a single big cryogenic drum with frost, minimal radiators, visibly over-engineered and redundant.
Industrial and mass-produced, forty years of service: patched plating, dark streaks, stencilled markings weathered to illegibility, taped cable runs, one small patched-on point-defence turret with a single barrel welded by the crew, almost no windows anywhere - a sealed ark hull with only the bridge glazed, no glossy chrome, no smooth white starship.
{STYLE}
no readable text, no letters, no logos, no flags, no national insignia, no glossy chrome, no glowing warp nacelles, no rotating ring, no ring structure, no planet in frame, no wood, no cartoon, no 3d render, no planks, no timber

An old modular colonial freighter drifting in deep black space, seen from the side, the WHOLE train in one frame: FIVE separate cylindrical modules in a row, connected by one long exposed structural spine. The habitation module carries TWO counter-rotating rings, one inside the other. Every module has TWO round fuel tanks covered in mesh netting. A single welded-on turret with one barrel on top of the middle module. The engine block sits at the TAIL of the train with four thruster bells; nothing pulls, the ship is PUSHED from behind. No windows anywhere except the small bridge at the very front.
Aging of forty years: bleached white-grey paint, micrometeorite pitting, mismatched replacement panels, black soot streaks, vented ice along the seams and around the tanks. Beautiful by design, battered by service.
Hard sunlight from one side, deep black shadows on the other, cold blue running lights along the spine.
no fins, no wings, no sails, no white cruise liner, no glossy surfaces, no chrome, no single big ring, no dome, no sphere, no parachutes, no readable text or letters, no logos, no flags, no dust in vacuum

Wide exterior of a colonial freighter in deep space. Close view of the cryo module: a twelve-metre-diameter, sixty-metre-long drum covered with lattice panels and frost, docking hatches at both ends, two round fuel tanks with protective mesh on its back, self-extending guide wings folded along the hull, small thruster clusters.
Heavy industrial construction, forty years of service: sun-bleached off-white and cold grey paint, micrometeorite pitting, mismatched replacement panels in slightly different tones, streaks of vented volatiles, soot near the engine bells, taped cable runs, stencilled markings weathered to illegibility. NOT rusty - there is no oxygen in space; NOT glossy or clean. Almost no windows anywhere, only the bridge is glazed. Light: hard sunlight from one side, deep black shadows, cold blue running lights, one warm amber light in the bridge. Photorealistic, cinematic, deep focus, muted palette, deep black space, stars sparse and sharp.
no readable text, no letters, no logos, no flags, no national insignia, no glossy chrome, no glowing warp nacelles, no rotating habitat ring around the whole ship, no scoops, no planet in frame, no wood, no cartoon, no 3d render, no planks, no timber

Wide exterior of a colonial freighter in deep space. Close view of the habitable module: two large counter-rotating gravity rings around a twelve-metre drum, lit windows in the ring spokes, a medical bay blister, a single plant visible through a small porthole, docking hatches at both ends, fuel tanks with mesh, guide wings.
Heavy industrial construction, forty years of service: sun-bleached off-white and cold grey paint, micrometeorite pitting, mismatched replacement panels in slightly different tones, streaks of vented volatiles, soot near the engine bells, taped cable runs, stencilled markings weathered to illegibility. NOT rusty - there is no oxygen in space; NOT glossy or clean. Almost no windows anywhere, only the bridge is glazed. Light: hard sunlight from one side, deep black shadows, cold blue running lights, one warm amber light in the bridge. Photorealistic, cinematic, deep focus, muted palette, deep black space, stars sparse and sharp.
no readable text, no letters, no logos, no flags, no national insignia, no glossy chrome, no glowing warp nacelles, no rotating habitat ring around the whole ship, no scoops, no planet in frame, no wood, no cartoon, no 3d render, no planks, no timber

Close exterior of the cryo module of the train, cold and frost-covered: a twelve-metre-diameter, sixty-metre-long cylindrical drum, its surface wrapped in lattice panels, frost and vented ice along the seams, docking hatches at both ends, two round fuel tanks with protective mesh on its back, self-extending guide wings folded along the hull, small thruster clusters.
Almost no windows - only a few tiny cold blue inspection ports. Heavy industrial construction, forty years of service: sun-bleached grey paint, micrometeorite pitting, mismatched replacement panels, streaks of vented volatiles. NOT rusty, NOT glossy.
Photorealistic, cinematic, deep focus, muted palette.
no readable text, no letters, no logos, no flags, no national insignia, no glossy chrome, no warm light, no planet in frame, no wood, no cartoon, no 3d render, no planks, no timber

Reference sheet of one spaceship, five views of THE SAME vessel arranged in a clean grid on a deep black background, consistent design in all five cells.
The ship: a colonial freighter - a train of five autonomous modules in a line, with a pusher tug at the very tail. Nose module with the main bridge; habitable module carrying TWO large counter-rotating gravity rings; one big cryo drum; a seed and reactor module; the tug. Every module: two round fuel tanks with protective mesh, self-extending guide wings, small thruster clusters, its own mini-bridge, docking hatches at both ends.
Cells: (1) full side view; (2) three-quarter view from the front; (3) front view; (4) three-quarter view from behind; (5) top view.
Heavy industrial construction, forty years of service: sun-bleached grey paint, micrometeorite pitting, mismatched replacement panels, frost on the cryo drum, streaks of vented volatiles, soot near the engine bells. NOT rusty, NOT glossy. Almost no windows, only the bridge glazed.
Photorealistic, cinematic, deep focus, muted palette.
no readable text, no letters, no captions, no numbers, no logos, no flags, no glossy chrome, no planet, no wood, no cartoon, no 3d render, no planks, no timber

Interior of a cargo airlock of an old freighter: heavy ribbed steel walls, a steel grating floor, cargo straps and chains hanging, a tool left on the deck, frost creeping from the outer door seam, warning stripes worn almost away.
One cold work lamp overhead, deep shadows, faint blue light from a small indicator panel. Industrial, forty years of service: scuffed paint, taped cable runs. NOT glossy.
Photorealistic, cinematic, deep focus, muted palette.
no readable text, no letters, no logos, no flags, no wood, no people, no glossy chrome, no cartoon, no 3d render, no planks, no timber
camera: slow push-in from the doorway, 28mm, low angle, the airlock door in the centre; light: TWO motivated sources - a hard cold work lamp from above forming a pool of light on the grating, and a warm amber spill from the corridor behind the camera; thick floating dust in the beam, condensation on the cold steel

Macro, top-down: a battered stainless steel mug with a spoon, an open worn paper logbook with a pencil, a folded cloth, on the matte grey console of a spaceship bridge. Warm amber light from a small lamp, cold blue falloff. Scratched metal, coffee ring on the cover, no readable text.
Photorealistic, cinematic macro, shallow depth of field, muted palette.
no readable text, no letters, no numbers, no logos, no wood, no people, no cartoon, no 3d render, no planks, no timber, no flag

Close view of a spaceship bridge console: worn physical toggle switches, small amber and blue readouts, hand-written labels faded to illegibility, a taped-over cable, scratches and finger-worn metal. Utilitarian, no holograms, no glass panels.
Warm amber and cold blue light, deep shadows. Photorealistic, cinematic macro, shallow depth of field.
no readable text, no letters, no numbers, no logos, no wood, no people, no cartoon, no 3d render, no planks, no timber, no flag

Close view of a faded printed photograph taped with old grey tape to a metal panel of a spaceship: a young girl about nine years old, seen from behind on a beach, the photo creased and sun-bleached, edges worn. Beside it two small magnets and a child's drawing, no readable text.
Warm amber light raking across, cold blue shadows. Photorealistic, cinematic macro, shallow depth of field, muted palette.
no readable text, no letters, no numbers, no logos, no wood, no cartoon, no 3d render, no planks, no timber, no flag

Cinematic close-up portrait of the same man, three-quarter face, looking slightly off
The scar is clearly visible: a bold old mark splitting the left eyebrow and running down across the left cheekbone, pale and slightly raised. Skin texture real: pores, two days of stubble, a small nick from shaving, tired eyes with visible capillaries.
Lighting: single warm key from the side, half the face in shadow, cold blue rim from behind. Shallow depth of field, dark blurred background of a spaceship bridge.
Photorealistic, cinematic, 85mm, muted palette.
no readable text, no letters, no logos, no glossy skin, no beauty retouch, no cartoon, no 3d render

Close-up of the hands of the same forty-year-old man, resting on a worn metal console: work-worn skin, short nails, a crooked left ring finger that was never set straight, small old burns and cuts, a scar on the back of the right hand. He holds a pencil.
Lighting: single warm lamp from the side, cold blue falloff. Photorealistic, cinematic macro, shallow depth of field.
no readable text, no letters, no logos, no gloves, no wood, no cartoon, no 3d render, no planks, no timber, no flag

Cinematic close-up portrait of a thirty-five-year-old woman, clearly EAST ASIAN features as in the attached reference image, three-quarter face, looking slightly off
Visible imperfections: a small pale scar across the left eyebrow, two shiny burn marks on the back of her right hand raised into frame, chapped lips, tired eyes. Real skin texture: fine lines, no make-up, a strand of hair loose from the tie.
Lighting: single warm key from the side, half the face in shadow, cold blue rim from behind. Shallow depth of field, dark blurred background of a spaceship medical bay.
Photorealistic, cinematic, 85mm, muted palette.
no readable text, no letters, no logos, no glossy skin, no beauty retouch, no make-up, no cartoon, no 3d render

Close-up of the hands of the same thirty-five-year-old woman, holding a small medical scanner: short clean nails, two shiny burn marks on the back of the right hand, a thin old cut on the left thumb, dry skin.
Lighting: cool medical light from above and a warm lamp from the side. Photorealistic, cinematic macro, shallow depth of field.
no readable text, no letters, no logos, no gloves, no wood, no cartoon, no 3d render, no planks, no timber, no flag

Costume reference for a forty-year-old man: three views of the SAME clothing on a neutral grey background - front, three-quarter and back. The head is cropped at the neck, no face visible.
The clothing: a dark grey layered work jumpsuit, worn at the knees and elbows, a heavy canvas jacket over it with a frayed collar, a cloth belt, scuffed boots, rolled sleeves, a small tool pouch on the thigh, a metal mug clipped to the belt, paint stains and one mismatched replaced shoulder panel.
Photorealistic, even studio light, muted palette.
no face, no head, no readable text, no letters, no logos, no flags, no wood, no glossy fabric, no cartoon, no 3d render, no planks, no timber

Costume reference for a thirty-five-year-old woman: three views of the SAME clothing on a neutral grey background - front, three-quarter and back. The head is cropped at the neck, no face visible.
The clothing: a long off-white medical tabard with a front pocket, worn and slightly stained, over a dark thermal layer and dark trousers, soft flat boots, a scanner on a lanyard, a rolled sleeve showing a forearm bandage edge.
Photorealistic, even studio light, muted palette.
no face, no head, no readable text, no letters, no logos, no flags, no wood, no glossy fabric, no cartoon, no 3d render, no planks, no timber

Full body reference photograph of ONE person standing straight, facing the camera, arms relaxed, full figure head to boots, on a plain neutral grey studio background, even soft light, no shadows on the backdrop.
The person: a forty-year-old man with Russian features, short greying dark hair, unshaven two days, a bold old scar that splits the left eyebrow and runs down the left cheekbone, lean and tired. Wearing a dark grey layered work jumpsuit worn at the knees and elbows, a heavy canvas jacket with a frayed collar, scuffed boots, a metal mug clipped to the belt.
The face must be EXACTLY the same as in the attached reference image - same features, same scar, same hair. Photorealistic, sharp, muted palette.
no readable text, no letters, no logos, no props, no furniture, no wood, no cartoon, no 3d render, no planks, no timber, no flag

Full body reference photograph of ONE person standing in a three-quarter turn, weight on one leg, hands relaxed, full figure head to boots, on a plain neutral grey studio background, even soft light.
The person: a forty-year-old man with Russian features, short greying dark hair, unshaven two days, a bold old scar that splits the left eyebrow and runs down the left cheekbone, lean and tired. Wearing a dark grey layered work jumpsuit worn at the knees and elbows, a heavy canvas jacket with a frayed collar, scuffed boots, a metal mug clipped to the belt.
The face must be EXACTLY the same as in the attached reference image. Photorealistic, sharp, muted palette.
no readable text, no letters, no logos, no props, no furniture, no wood, no cartoon, no 3d render, no planks, no timber, no flag

Cinematic portrait of ONE person, head and shoulders, three-quarter face, tired and listening, slightly worried: a forty-year-old man with Russian features, short greying dark hair, unshaven two days, a bold old scar that splits the left eyebrow and runs down the left cheekbone, lean and tired.
The face must be EXACTLY the same as in the attached reference image - same features, same scar, same hair. Real skin texture, no make-up, no retouch.
Lighting: single warm key from the side, half the face in shadow, cold blue rim from behind, blurred dark spaceship interior behind. Photorealistic, 85mm, shallow depth of field, muted palette.
no readable text, no letters, no logos, no glossy skin, no beauty retouch, no cartoon, no 3d render

Full body reference photograph of ONE person standing straight, facing the camera, arms relaxed, full figure head to boots, on a plain neutral grey studio background, even soft light, no shadows on the backdrop.
The person: a thirty-five-year-old woman with East Asian features, black hair tied back low, sharp attentive eyes, a small pale scar across the left eyebrow. Wearing a long off-white medical tabard over a dark thermal layer and dark trousers, soft flat boots, a scanner on a lanyard.
The face must be EXACTLY the same as in the attached reference image - same features, same scar, same hair. Photorealistic, sharp, muted palette.
no readable text, no letters, no logos, no props, no furniture, no wood, no cartoon, no 3d render, no planks, no timber, no flag

Full body reference photograph of ONE person standing in a three-quarter turn, weight on one leg, hands relaxed, full figure head to boots, on a plain neutral grey studio background, even soft light.
The person: a thirty-five-year-old woman with East Asian features, black hair tied back low, sharp attentive eyes, a small pale scar across the left eyebrow. Wearing a long off-white medical tabard over a dark thermal layer and dark trousers, soft flat boots, a scanner on a lanyard.
The face must be EXACTLY the same as in the attached reference image. Photorealistic, sharp, muted palette.
no readable text, no letters, no logos, no props, no furniture, no wood, no cartoon, no 3d render, no planks, no timber, no flag

Cinematic portrait of ONE person, head and shoulders, three-quarter face, tired and listening, slightly worried: a thirty-five-year-old woman with East Asian features, black hair tied back low, sharp attentive eyes, a small pale scar across the left eyebrow.
The face must be EXACTLY the same as in the attached reference image - same features, same scar, same hair. Real skin texture, no make-up, no retouch.
Lighting: single warm key from the side, half the face in shadow, cold blue rim from behind, blurred dark spaceship interior behind. Photorealistic, 85mm, shallow depth of field, muted palette.
no readable text, no letters, no logos, no glossy skin, no beauty retouch, no cartoon, no 3d render

Close view inside a cryo hall: one vertical cryo capsule in the foreground, glass fogged with frost, a small blue indicator glowing steadily, a resident number stencilled and faded, condensation running down the glass, the woman inside barely visible and calm. Rows of identical capsules receding into darkness behind.
Heavy industrial construction, forty years of service: scuffed paint, taped cable runs, worn rubber seals.
Photorealistic, cinematic, 50mm, shallow depth of field, muted palette.
no readable text, no letters, no numbers, no logos, no wood, no glossy chrome, no cartoon, no 3d render, no planks, no timber, no flag

Empty set plate, no people. The small medical bay of an old freighter: one examination couch with a worn cover, steel lockers, a sink, a small instrument tray, a single plant in a glass jar on the shelf, a child's drawing taped to the wall, a scanner on a lanyard left on the couch.
Heavy industrial construction, forty years of service: scuffed paint, mismatched panels, taped cable runs. NOT glossy.
Photorealistic, cinematic, 24mm, deep focus, muted palette.
no readable text, no letters, no numbers, no logos, no wood, no people, no glossy chrome, no cartoon, no 3d render, no planks, no timber, no flag
camera: slow drift left, 35mm, eye level; light: TWO motivated sources - a warm desk lamp on the left and cold ceiling light from behind; dust in the lamp beam, condensation on the steel sink

Empty set plate, no people. A long empty service corridor of an old freighter receding into black: padded ribbed walls, cable trays along the ceiling, handrails, one strip light every few metres, a hatch at the far end barely lit.
Heavy industrial construction, forty years of service: scuffed paint, mismatched panels, taped cables, one hand-written label faded to illegibility.
Photorealistic, cinematic, 21mm, one-point perspective, deep focus, muted palette.
no readable text, no letters, no numbers, no logos, no wood, no people, no glossy chrome, no cartoon, no 3d render, no planks, no timber, no flag
camera: slow tracking forward down the corridor, 21mm, one-point perspective; light: TWO motivated sources - cold strip lights overhead and one warm amber lamp far down the corridor; thick floating dust, faint haze, condensation on the metal