Martian colony module construction, above-ground (design reference): a ribbed CYLINDRICAL lower tier of panelled
walls with one or two horizontal belts, carrying TWO rows of small OVAL windows glazed with dark tinted
smoked-bronze glass - they read DARK by day and glow warm only at night;
above the tier a FACETED GLAZED CAP of heavily tinted glass that starts at the full diameter of the drum and takes about 45% of the module height, with radial mullions, crowned by a small conical glass lantern and a hub - domed in profile, never a smooth hemisphere, topped by a conical glass cap with radial mullions and a small
round hub at its centre. The silhouette is a cylinder + faceted cap, not a smooth sphere. A low dust plinth at the base
and only a low 1-metre dust barrier around it, so the windows are never hidden. A separate small airlock box with
a metal door and a short staircase with railings is attached to the side; ribbed tube corridors leave the module
most of the radial tubes carry solar panels on top; the tube corridors stand on low supports so rovers can pass underneath. Each module stands above the ground on a low plinth and has a
small spare vestibule with a door and a short staircase, DOUBLE-sealed (emergency egress or a future tunnel),
normally kept sealed. Mixed height: the hub is 2-3 storeys, habitat, school and agro modules are
2 storeys, medical and technical modules are single-storey. Radiation shielding is regolith inside the walls plus
a water layer in the glass, not an earth berm. The three technical domes are lower and windowless, with only a
small glazed cap and an airlock ramp.

The modules stand above the ground with only a low 1-metre dust barrier, so their windows are fully visible
from outside and never hidden behind earth. The glass is DARK TINTED smoked-bronze, to keep the sun out:
by DAY the windows read as dark, almost black ovals with only a faint warm rim - they do NOT glow bright.
At NIGHT the same tinted glass glows warm amber from inside, and then the windows are the main light of the base.
Every habitat module carries a ring of six oval windows on EACH storey - two rows on the two-storey modules.
The central hub has ten larger windows per storey; school and agro modules have five and four per storey.
The three technical domes have no windows at all: lower, windowless, with only a small glazed cap and an airlock ramp.

A graded rover road, about 7 metres wide, descends the eastern crater wall in long switchbacks and runs
across the crater floor to the rover pad beside the first technical dome; wheel tracks in the dust lead away
to the north-west and along the rows of solar panels. Four airlocks open to the surface: the main one with a
rover bay and ramp, a reserve one, a small emergency airlock, and a service airlock by the agro dome.
Solar panels are only partly installed: two of the four ground rows are complete, the other two still lie in
crates, several panels are mounted on top of most of the radial tubes, and a few unopened crates stand by
the pad. Beside the main airlock stands a row of seven slim bare masts with thin cables, no banners, muted colours, details unreadable
at this distance.
Surface infrastructure: six floodlight masts, unlit in this daytime frame, each about as tall as three rovers (at the main airlock, at the
corners of the rover pad and along the road); a marked zone boundary of short reflector stakes - NOT a solid
fence; three net wind screens on the windward side; a few low piles of excavated red soil; an open storage area with cargo
containers and stacks of crates; three cylindrical tanks (water and oxygen) beside the second technical dome;
cable trays lying on the ground between the modules and the pad; two slim weather masts with small antennas;
and, east of the dome ring, a SQUARE landing pad about 40 x 40 m with painted markings and four corner markers for resupply capsules. The tube corridors stand on low supports, so rovers can pass underneath.

Interior of a Martian colony dome: circular room, raised floor with a steel-grating surface and a hatch,
curved ribbed wall with two rows of small horizontal oval windows, six per row, in dark bronze-tinted glass looking
out over the red dunes from slightly above, a glazed cap overhead giving soft top light, warm orange
(#E8945A) and amber (#D4A24E) lighting, faint dust in the air.

This is a RETOUCH of the attached frame, NOT a new picture. Keep the camera, the framing, the layout, the sun position, the sky, the haze and the road EXACTLY as they are: the same dark rocky ridge in the foreground, the same pale winding rover road with switchbacks crossing the valley, the same dark plum sky, the same long shadows.
Change ONLY these two things:
1. REMOVE the vehicle: the small grey rover standing on the foreground ridge must disappear completely. Restore the natural rock, gravel and dust where it stood. Leave NO track marks, NO tyre ruts, NO shadow and NO trace of it anywhere. The frame must read as an empty desert with nothing man-made except the distant road.
2. Make the GROUND read deep brick RED instead of orange: deepen and redden the sand, the dunes and the rock so they read as dark red Mars dust, never orange, never sandy yellow, never pale beige. Keep the same tones in the sky and the same level of light.
Everything else stays untouched: do not re-render, do not move the camera, do not change the framing, do not add or remove any other object, do not brighten or darken the picture.
photorealistic, cinematic, 24mm, deep focus, film grain.
Avoid: a new picture, re-rendered scene, different camera angle, moved landforms, a rover or any vehicle, people, structures, boxes, platforms, tracks of the removed rover, text, letters, numbers, captions, colour codes, watermark, logos, orange or beige or yellow sand, teal or green sky, oversaturated colours, cartoon, anime, 3d render.

Same shot as the day plate reference: identical camera position, identical framing, identical landforms - the same endless brick-red dunes (#9E3B22) and the same dark rocky ridge in the foreground, no man-made object anywhere in frame.
Change ONLY the lighting to night: the sun is gone and there is no horizon glow; the ground reads black and cold blue, the dunes as dark rust shapes; a cold blue rim on the ridge crests; the sky is black with unnaturally bright, dense stars and a faint Milky Way; long deep shadows.
photorealistic, cinematic, 24mm, deep focus, film grain, low-key lighting.
Avoid: different camera angle, different landforms, moved dunes, the colony or any lights in frame, warm light, sun, horizon glow, daylight, people, vehicles, buildings, text, watermark, cartoon, anime, 3d render, illustration, oversaturated, lens flare.

Empty interior plate, no people. Interior of the communal hall of the Vetrov family block inside residential dome Zh6, in daylight.
Cylindrical ribbed wall with TWO rows of small horizontal oval windows, six in each row, in dark bronze-tinted glass;
through the tinted glass: on one side the neighbouring ribbed habitat domes and the hub across the crater floor, on the other the red dunes and the dark crater wall - all of it dimmed, no bright or clear glazing anywhere.
Above the wall a FACETED GLAZED CAP of heavily tinted glass that starts at the full diameter of the drum and takes about 45% of the module height, with radial mullions, crowned by a small conical glass lantern and a hub - domed in profile, never a smooth hemisphere with a ribbed glass apex and a central hub gives a soft top light.
A mezzanine gallery ring runs one level up, so the hall reads as two floors; steel grating floor with a round hatch in the centre.
ONE round pedestal table of matte warm-grey composite with four low stools around it - the family table, the same shape as in the reference image; metal lockers, a hydroponic rack with lettuce under warm lamps, storage boxes, pipes and cable trays along the ribs; no rectangular tables, no long canteen tables, no wooden furniture.
The room is lived in: the bunk beds are made with folded blankets, a metal mug and a small bowl stand on the table, a jacket hangs over the back of a stool, boots stand under the bunk, a towel on the shower stall.
Warm orange (#E8945A) and amber (#D4A24E) light, faint dust in the air.
photorealistic, cinematic, 24mm, deep focus, film grain, volumetric light, teal-and-orange grade.
Avoid: people, characters, bright clear glazing, floor-to-ceiling windows, a glass wall, round porthole windows, rectangular windows, one single row of windows, blank empty windows showing only sand, earth berm covering the windows, half-buried module, empty untouched showroom, rectangular tables, long canteen tables, tropical plants, wooden furniture, wood grain, tablecloth, cartoon, anime, 3d render, illustration, text, watermark, oversaturated, lens flare.

Same room as the day plate reference: identical camera position, identical framing, identical layout and identical objects - the same ribbed cylindrical wall, the same row of small OVAL windows in dark bronze-tinted glass, the same mezzanine gallery with its railing, the same round pedestal table with the same round stools, the same metal lockers and bunk beds, the same hydroponic rack with lettuce, the same steel grating floor with the round hatch, the same pipes and cable trays along the ribs. Do not move, add or remove anything.
Change ONLY the lighting to night, plus the traces of the day's end: the bunk the girl sleeps in is unmade - blanket thrown back, pillow dented; the mug and the small bowl are still on the round table where they were left; the jacket still hangs over the stool. All lamps are off and the hall is almost black; outside the glass - black dunes and unnaturally bright stars, no light from the colony; on the round table lies a small object under a dark cloth, and the only light source in the frame is its cold blue (#4FC3F7) glow, spilling a faint blue rim along the table edge, the stools and the grating; deep shadows, dust in the air.
photorealistic, cinematic, 24mm, deep focus, film grain, low-key lighting, single cold blue source.
Avoid: different camera angle, different furniture, a desk or a chair instead of the round table and stools, moved objects, added furniture, lit lamps, bright interior light, daylight, warm light, rectangular windows, one large round window, people, characters, cartoon, anime, 3d render, illustration, text, watermark, oversaturated, lens flare.

Empty interior plate, no people. Inside the colony hub dome - a working hydroponic module, an industrial food plant, not a garden.
Circular room with a raised floor and a steel-grating aisle down the middle; the curved ribbed wall carries TWO rows of ten horizontal oval windows per floor in dark bronze-tinted glass, dusty and fogged with condensation;
through the tinted glass: the ring of residential habitat domes with their ribbed caps and glazed cones, and the red dunes beyond - dimmed, no bright or clear glazing.
The a FACETED GLAZED CAP of heavily tinted glass that starts at the full diameter of the drum and takes about 45% of the module height, with radial mullions, crowned by a small conical glass lantern and a hub - domed in profile, never a smooth hemisphere with a ribbed glass apex overhead; the low one-metre dust barrier visible outside.
Two long rows of metal grow racks with shallow trays of lettuce and leafy greens under magenta-and-white LED strips;
on the other side of the dome a long communal table with metal benches, a makeshift bar counter with a few bottles, a projector screen made of a stretched white sheet,
two exercise machines with straps against the wall, a metal bench by one of the oval windows;
white nutrient pipes and valves along the racks, cable trays overhead.
The hall is lived in: metal mugs and trays on the long table, a jacket over the back of a chair, a mop bucket and a folded ladder by the far wall.
The module is lit mostly by its own LED strips; the light through the glass is pale and weak.
The plants are unnaturally uniform and too symmetrical - slightly wrong, as if grown from a drawing.
Muted green (#6B8E5A) and grey metal, warm amber accents (#D4A24E).
photorealistic, cinematic, 24mm, deep focus, film grain, volumetric light, teal-and-orange grade.
Avoid: people, characters, ivy on the glass, jungle, tropical plants, botanical garden, trees, palms, flowers, butterflies, fake sunlight beams, one single row of windows, round porthole windows, rectangular windows, wooden furniture, wood grain, wooden bench, tablecloth, empty untouched showroom, bright clear glazing, text, watermark, letters, numbers, logos, cartoon, anime, 3d render, oversaturated, lens flare.

Keep this image exactly as it is - same camera, same framing, same corridor, same tube, same lighting, same materials, same floor.
Change ONLY this: remove every trace of red sand and dust from the floor, the corners and the wall bases - the deck is clean and sealed,
the anti-slip pattern and the central cable-tray cover read clearly. The far pressure door carries a HORIZONTAL OVAL porthole of dark tinted glass
and a WHEEL VALVE handle in its centre. No windows anywhere, no daylight.
Keep everything else exactly as it is: ribbed metal walls, pipes and cable runs, warm strip lights in the ribs,
small amber marker lights along the wall bases, the walkway level with both domes.
Avoid: sand, dust piles, drifts, rubble, windows, daylight, people, characters, a different corridor, cartoon, anime, 3d render, illustration, text, watermark.

Empty interior plate, no people. A colony classroom in the school module, daytime.
A circular room inside the ribbed cylindrical module of the school dome (2 floors): raised floor of steel grating,
a curved ribbed wall with TWO rows of five oval windows (2.2 m) in dark bronze-tinted glass;
through the tinted glass: the agro dome with its ribbed cap and the hub across the crater floor on one side, the red dunes and a pale sun on the other - dimmed, never bright.
The a FACETED GLAZED CAP of heavily tinted glass that starts at the full diameter of the drum and takes about 45% of the module height, with radial mullions, crowned by a small conical glass lantern and a hub - domed in profile, never a smooth hemisphere with a ribbed glass apex overhead; the windows are dark tinted and unlit.
Twelve simple desks in two rows facing a wide chalkboard and a small projector screen, wall lockers,
a teacher's table, cloth satchels left on two desks and one chair pushed back, a few pots with green plants on a shelf under the window, storage boxes, cable trays overhead.
Warm interior light from ceiling panels, warm interior light from the ceiling panels, the windows read dark from inside, dust in the air.
photorealistic, cinematic, 24mm, deep focus, film grain, muted colour with a single accent.
Avoid: people, characters, lit or glowing windows, rectangular windows, one single row of windows, round porthole windows, earth berms covering the windows, half-buried module, wooden furniture, wood grain, empty untouched showroom, cartoon, anime, 3d render, illustration, text, watermark, oversaturated, lens flare.

Keep this image exactly as it is - same camera, same framing, same one-point perspective, same tube, same lighting, same materials, same floor. Remove ONLY the loose objects standing in the corridor on the left, and rebuild the wall, the ribs, the cable trays and the floor that were hidden behind them:
1. remove the stacked grey cargo crates and boxes on the left;
2. remove the flat rectangular panels leaning against the left wall - the group of five or six large panels, like grating or solar panels;
3. remove any small box, toolbox or loose part lying on the floor at their base;
4. rebuild everything that was behind and around them: the same ribbed shell with the same ring ribs at the same spacing, the same vertical seams and bolts, the same bundles of cables and the same cable trays running along the wall at the same height, the same metal deck panels on the floor with the same seam pattern.
The corridor becomes empty and swept: nothing stands on the floor anywhere, from the foreground to the far door.
Keep every fixed part EXACTLY as it is: the ring ribs with their warm strip lights, the cable bundles and trays on both walls, the cable ladder along the ceiling, the pipes and brackets, the far pressure door with its window and its markings, the floor seam pattern, the light and the faint haze.
Avoid: changing the camera, the framing or the perspective, moving or resizing the tube, changing the light or the colour, adding windows or openings, adding new objects, boxes, crates, panels, tools, trolleys, benches, plants or people, adding sand or dust, opening the doors, text, watermark, cartoon, anime, 3d render.

Empty location plate, no people. High aerial view, near-vertical, of a Martian colony on the floor of a wide shallow crater.
Thirteen above-ground modules of DIFFERENT sizes: one large central hub, six habitat modules, an agro module with a green interior, a school, a medical dome, two lower technical domes and one small emergency airlock. They do NOT form a perfect circle: spacing, size and rotation are uneven, some modules sit slightly out of line. Every module stands clear of the ground on a low base and is ringed only by a low one-metre dust barrier, so its windows stay visible; the lower parts are NOT buried and there are no earth berms.
Each module is a cylinder with a ribbed frame and a conical glazed top; every habitat dome shows two rows of oval windows, the hub shows more, the technical domes are windowless with only a small glazed cap. The windows are dark tinted glass - unlit, not glowing, no warm light inside.
A simple painted round emblem on the main airlock door: a dark red field, a white arc, a small dome and three thin wave lines - no letters, no numbers.
A ring of fine tan dust has drifted against the outside of every dust barrier, a few faint dust streaks run across the roofs, but the module surfaces stay clean and readable.
Six thick main tubes radiate from the hub to the six habitat domes only, solar panels mounted on some of them; twelve thinner ring tubes link all modules in one closed loop.
A graded rover road descends the eastern crater wall in switchbacks and enters the crater floor through a wide cut in the rim, with a junction loop and a short bridge span over a gully; a second, older and narrower track comes in from the north-west toward a distant small crater. Wheel tracks cross the floor in several directions, loop around the modules and run away to the north-west.
Four off-white four-wheeled pressurised rovers with chunky tyres and amber wheel hubs, seen from above: two parked on the rover pad, one out on the road midway up the switchbacks, one standing by the solar rows and crates.
A square landing pad with painted markings and four corner markers lies to the east, a four-legged cargo lander standing on the pad, its legs on the marked squares.
Grouped equipment: rows of solar panels (two complete, two still in crates), unopened crates, water and oxygen tanks, cable trays, two slim weather masts, six floodlight masts and a boundary line of short reflector stakes with no fence - all fixtures unlit in daylight. Beside the main airlock stands a row of seven slim masts standing bare, with thin cables and no banners, none on the domes.
Deep brick-red dunes with fine wind ripples (#9E3B22), a few small craters in the far distance, deep rust shadows (#4A1F14), low pale sun, long soft shadows, thin dust haze, straight horizon at the frame edge.
photorealistic, cinematic, 24mm, deep focus, film grain, muted colour with a single accent.
Avoid: people, characters, spacecraft, landers, a long straight trench or ditch, perfect radial symmetry, identical repeated modules, flags anywhere in frame, glowing or lit windows, half-buried domes, earth berms covering the windows, fences, heavy dust covering the modules, curvature of the planet, orbital view, birds-eye fisheye distortion, text, watermark, letters, numbers, logos, cartoon, anime, 3d render, oversaturated.

Empty location plate, no people. High three-quarter aerial view of a Mars colony on the floor of a wide shallow crater, late afternoon, camera high on the north-west side looking south-east, so the graded road with switchbacks climbs the eastern wall on the left of the frame.

COMPOSITION - LOCKED, the same shot every time:
- ONE wide shallow crater fills the frame, its rim a low curved wall in the upper half; beyond the rim there is nothing but flat empty dune fields to a straight horizon - no second crater, no ring of hills, no canyon anywhere;
- the colony sits dead centre: a large central hub with a faceted glazed cap, six habitat modules around it on six thick ribbed spoke tubes, and six more modules on a closed ring of thinner tubes between the spokes - THIRTEEN modules in all, never more and never fewer, the ring always closed, the hub always in the middle;
- every module is a ribbed cylinder with TWO ROWS of horizontal oval windows of dark bronze-tinted glass and a faceted glazing cap with radial mullions on top, standing clear of the ground on a low base;
- the square landing pad with the four-legged lander lies on the flat ground to the right of the colony, mid-frame;
- the solar arrays are partly finished: most rows stand assembled on low frames, while the remaining panels still lie in opened crates, all aligned to each other, none tilted, none crooked; the white tanks and the stacked containers stand beside them on the lower-left part of the floor;
- THREE identical small rovers, all exactly the same size, the same design as the attached rover reference, stand on the dust outside the ring; nothing bigger than a rover is anywhere in the frame;
- the boundary is a line of slim stakes with a thin cable, not a fence.

The crater floor is deep brick-red dust (#9E3B22) with deep rust dunes (#4A1F14): the ground reads RED, never orange, ochre, beige or yellow. Dark plum low sky (#3A2A33), pale weak sun, long soft shadows, thin dust haze. Photorealistic, cinematic, 35mm, deep focus, film grain, muted teal-and-orange grade.
Avoid: people, oversized vehicles, trucks, tractors, a second crater, canyon walls, regolith berms or collars around the modules, masts or antennas standing on the module caps, glass bands along the tubes, rectangular, square or round windows (only horizontal ovals), crooked or tilted solar panels, national flags, banners, text, letters, numbers, logos, watermark, cartoon, anime, 3d render, illustration.

This is a RETOUCH of the attached frame, NOT a new picture. Keep the camera, the framing, the crater, the road, the position and the number of all thirteen modules, the vehicles, the dust and the colour grade EXACTLY as they are. Change ONLY this: <<<что именно>>>. Everything else stays untouched - do not re-render, do not move anything, do not change the light or the colours.

Same frame, higher resolution: re-shoot this exact view of the Mars colony at 2848x1600 (or the largest 16:9 the generator gives), keeping the camera, the framing and the lighting of the attached reference IDENTICALLY. This is a RE-SHOOT of the same plate, not a new picture and not a retouch.
- identical camera: same position on the western crater rim, same 24mm, same one-point view east across the crater floor, same horizon line and the same crater wall on the left;
- the same THIRTEEN above-ground modules in the same places: the central hub with the widest faceted glazed cap, six habitat modules on six thick ribbed spoke tubes, six more modules on the closed outer service ring; the ring is closed, the hub is in the middle;
- every module is a RIBBED CYLINDER carrying a TRUNCATED CONE of dark tinted glazing with radial mullions and a small conical glass lantern on top - never a smooth sphere, never a rounded dome;
- every habitat module shows TWO ROWS of horizontal OVAL windows of dark smoked-bronze glass; by day these windows are DARK and unlit - absolutely no warm glow, no orange light inside;
- each module stands clear of the ground on a low base, ringed only by a LOW ONE-METRE DUST BARRIER of thin composite panels on short posts - no boards, no timber, no regolith collars, no berms, no excavation;
- the same FOUR identical four-wheeled colony rovers R-01 in the same positions; nothing bigger than a rover is in frame;
- the same rows of solar panels, the same square landing pad with its painted markings, the same seven slim bare masts near the airlock and one weather mast with a dish, all floodlights OFF in daylight, no flags, no banners, no masts or spires on the module caps;
- the same switchback rover road descending the eastern crater wall, the same boundary stakes with a thin cable, the same dust tracks and the same working disorder of the camp.
Light and palette exactly as in the reference: clear daytime, bright warm sun, long soft shadows, thin dust haze, dark plum low sky (#3A2A33), deep brick-red dust (#9E3B22) with deep rust dunes (#4A1F14) - the ground reads RED, never orange, ochre, beige or yellow. Module walls grey-beige, darker on the shadow side.
Photorealistic, cinematic, 24mm, deep focus, film grain, muted teal-and-orange grade, maximum detail in the glazing, the ribs and the dust.
Avoid: a new composition, a moved or turned camera, a closer or wider shot, changed lighting, dusk or night, overexposure, blown white sky, pale beige or grey dust, domes or spheres instead of ribbed cylinders with faceted glazed caps, regolith berms or collars, glazing or windows along the tubes, a second crater, people, oversized vehicles, trucks, tractors, flags, banners, text, letters, numbers, logos, watermark, cartoon, anime, 3d render, illustration.

Same shot as the day plate reference: identical camera position, identical framing, identical layout - the same thirteen modules in the same places, the same six radiating tubes and the outer service ring, the same dust barriers, the same rows of solar panels, the same three rovers in the same positions, the same square landing pad with its markings, the same floodlight masts, the same switchback road on the eastern crater wall, the same crater rim and horizon in frame. Do not move, add or remove anything.
Change ONLY the lighting to night: the sun is gone; every habitat dome glows warm orange (#E8945A) through its two rows of OVAL windows - that is the main light of the base; the technical domes stay dark and windowless; the floodlight masts burn warm amber above the airlock, the pad and along the road; small amber marker lights along the road edges, the pad corners and the boundary stakes; a dark sky with faint stars, dark rust dunes, cold blue in the shadows, deep shadows, dust haze.
photorealistic, cinematic, 24mm, deep focus, film grain, low-key lighting.
Avoid: different camera angle, different layout, moved or added modules, added or removed rovers, half-buried domes, earth berms hiding the windows, the sun, daylight, warm daylight sky, people, characters, text, watermark, letters, numbers, logos, cartoon, anime, 3d render, illustration, oversaturated.

Empty location plate, no people. Three-quarter aerial view of ONE colony module on the Martian surface.
Design reference: a ribbed cylindrical lower tier of panelled walls with horizontal belts, carrying two rows
of small OVAL windows glazed with DARK TINTED smoked-bronze glass - by day they read as dark, not bright, with
only a faint warm rim; above the tier a FACETED GLAZED CAP of heavily tinted glass that starts at the full diameter of the drum and takes
about 45% of the module height, with radial mullions, crowned by a small conical glass lantern and a hub.
Only a low knee-high dust barrier around it, no earth berm, no excavation, so the windows are fully visible.
A separate small vestibule box with a metal door and a short metal staircase with railings is attached to one side -
a spare exit with double sealing, normally kept sealed. The module stands clear of the ground on a low base:
no excavation pit, no raised soil collar, no berm around it.
Two ribbed tube corridors leave the module; dark solar panels are mounted on top of one of them.
Dusty grey-beige panels, red ochre dust (#9E3B22), dark plum low sky (#3A2A33), pale weak sun, long hard shadows.
photorealistic, cinematic, 35mm, film grain, volumetric light, teal-and-orange grade.
The one-metre dust barrier is built of flat composite panels on short posts - no boards, no timber, no wood grain anywhere in frame.
The vestibule door carries a small OVAL porthole of dark tinted glass, not a round one.
The tube corridors are plain ribbed metal with cable trays - no glazing bands and no windows along them.
The silhouette is a ribbed CYLINDER topped by a FACETED GLAZED CAP of tinted glazing and a small conical lantern - not a hemisphere, not a smooth dome.
Avoid: people, smooth featureless sphere, raised soil collar, regolith berm, excavation pit, tall regolith berm covering the windows, windows below ground level,
wooden boards, timber barrier, wood grain, round door porthole, glazing on the tubes,
bright clear or transparent glass, windows glowing bright in daylight,
text, watermark, letters, numbers, logos, cartoon, anime, 3d render, oversaturated, lens flare.

Off-white colony rover R-01: four-wheeled pressurised vehicle, welded body with reinforcement plates,
faceted cabin with large tinted windows, chunky tyres with amber (#D4A24E) wheel hubs, roof light bar,
a dish antenna and a whip antenna on the roof, rear utility bays, small marking R-01 on the side.
Avoid: people, characters, a different rover design, six wheels, tracks, weapons, text, watermark, letters, numbers, logos, cartoon, anime, 3d render, oversaturated, lens flare.

Top-down view of the same off-white colony rover, roof and cargo deck visible, dish antenna and roof light bar,
chunky tyres with amber hubs, no landscape background, plain neutral grey seamless background, soft even studio light.
photorealistic, 85mm, high detail, one vehicle only.
Avoid: text, letters, numbers, logos, background scenery, multiple vehicles, cartoon, anime, 3d render.

Off-white six-wheeled cargo hauler of the same colony, seen from a three-quarter front view: flatbed with low ribbed side walls,
four large rear wheels and two smaller front wheels, chunky tyres with amber hubs, a small pressurised cab with a tinted windscreen,
an open flatbed carrying two strapped cargo containers, a small crane arm folded along the frame, dust on the lower panels.
Plain neutral grey seamless background, soft even studio light, no landscape, no people.
photorealistic, high detail, 50mm, one vehicle only.
Avoid: text, letters, numbers, logos, people, landscape, background scenery, multiple vehicles, cartoon, anime, 3d render.

Macro product shot of a smooth matte-black slab the size of a tablet, hovering three centimetres above a plain metal table,
no visible power source, no buttons, no seams, sharp chamfered edges, dark surface with a faint sheen.
Cold colony interior light, ribbed wall panels softly out of focus behind.
photorealistic, cinematic, 85mm macro, shallow depth of field, film grain.
Avoid: text, letters, numbers, logos, buttons, cables, glowing lines, cartoon, anime, 3d render.

Keep the reference composition, render it at high resolution. Wide cinematic macro in 16:9: the same matte-black slab hovers centred above a plain metal table across the lower third, horizontal, about twice as wide as tall - the blurred ribbed corridor behind it, warm amber ring lights glowing (#E8945A), never cold blue-white.
Thin electric-blue lines (#4FC3F7) are drawn ON the slab's dark surface, like a drawing on a screen: a flat band of ocean with a straight top edge and no waves, a plain round sun with no rays, a lollipop-shaped tree with no roots and no leaves, a small faceless stick figure - the same four elements, flat graphic style and placement as on the notebook page, left unfinished.
Crucially: ocean, sun, tree and figure exist ONLY as thin lines on the slab, not as real objects or separate neon sculptures, and nothing lies outside its edges.
The glow stays INSIDE the surface: a flat machined plate, clean straight sides, plain dark chamfer, no glowing outline, no neon frame. Faint cold blue spill; no hands, no people.
photorealistic, cinematic, 85mm, shallow depth of field, dark background, film grain, horizontal composition.
Avoid: vertical slab, portrait orientation, neon frame, glowing outline, orange line on the slab edge, elements outside the slab, real tree, leaves, branches, roots, waves, zigzag coastline, wavy ocean, floating holograms, text, letters, numbers, logos, hands, people, warm light on the slab, square crop, cartoon, anime, 3d render.

Wide cinematic macro in 16:9: the same perfectly smooth matte-black slab hovering centred above the metal table, identical in shape and finish to the reference - a flat machined plate the size of a tablet with clean straight sides and a razor-sharp chamfered edge, polished and even, no chips, no cracks in the material, no rough stone face.
Its whole dark surface is now a dense web of thin electric-blue glowing lines (#4FC3F7) spreading from the centre and running to all four edges, brighter than before, some lines branching - the light lives INSIDE the surface, the chamfered edge stays plain dark with no glowing outline.
Fine dust particles rise off the table around it, the slab trembles slightly, a cold glare washes out the background.
photorealistic, cinematic, 85mm macro, shallow depth of field, strong contrast, film grain, horizontal composition.
Avoid: text, letters, numbers, logos, hands, people, fire, warm light, orange glow, sparks, cracked stone, rock texture, broken shards, chipped edges, gravel, rubble, rough porous surface, jagged outline, glowing outline around the slab edge, neon rim, vertical composition, square crop, cartoon, anime, 3d render.

Top-down macro of a used stainless steel compartment tray standing on the matte warm-grey composite table of the habitat dome, warm amber light raking from the side.
The tray is a shallow rectangular metal plate with four compartments: a portion of cooked grain, a small heap of green leaves, a slice of pressed protein, and a small dark sweet. A plain metal mug and a flat metal lid lie beside it.
Everything is reusable, scratched and dented by years of use: no plastic, no film, no wrappers, no packaging.
Photorealistic, cinematic macro, shallow depth of field, film grain, muted palette.
Avoid: plastic packaging, cling film, wrappers, bags, wood, planks, timber, readable text, letters, numbers, logos, hands, people, cartoon, anime, 3d render.

Macro of one old vacuum-sealed food pouch from Earth: faded silver foil, creased and dented, one corner torn where a label used to be, resting on a metal shelf beside her worn dark blue-grey cloth sketchbook, warm amber light of the habitat dome raking across it.
The pouch reads as a relic kept for memory: no readable label, no brand, only ghost of removed sticker and dull foil.
Photorealistic, cinematic macro, shallow depth of field, film grain, muted palette.
Avoid: readable text, letters, numbers, logos, brand marks, fresh modern packaging, wood, planks, timber, hands, people, cartoon, 3d render.

Close-up of a flat metal nameplate bolted beside a colony airlock door on Mars: brushed steel plate with visible hex bolts in the corners,
a completely BLANK white painted face - no letters, no numbers, no emblem, no symbols,
fine red dust settled along the upper edge, a thin streak where the plate has been wiped clean.
Warm afternoon light from the left, long shadow of the plate on the ribbed wall, shallow depth of field.
photorealistic, cinematic, 50mm, film grain.
Avoid: people, characters, text, letters, numbers, logos, emblems, symbols, watermark, cartoon, anime, 3d render, illustration, oversaturated.

Wide shot of a large painted sign board mounted on the ribbed hull of a colony module on Mars:
a BLANK white painted panel - no letters, no numbers, no emblem, no symbols - weathered paint, dust in the panel joints,
a steel frame and thin support struts bolted to the hull, cables running down to a junction box.
Late afternoon light, long shadows, thin dust haze in the air.
photorealistic, cinematic, 35mm, deep focus, film grain.
Avoid: people, characters, text, letters, numbers, logos, emblems, symbols, neon, glowing letters, watermark, cartoon, anime, 3d render, illustration.

Macro of an embroidered cloth patch lying flat on a pale grey woven fabric, soft even light, top-down.
A round badge: thin dark-red stitched rim (#8C3B26) and a deep burgundy field.
Embroidered on the field in thick off-white thread, only four simple shapes:
- a circle near the top;
- a wide flat triangle below it, its apex touching the circle;
- one straight vertical line running from the circle down through the triangle to its base;
- three thin wavy lines at the bottom, like water ripples.
Thick uniform stitches, generous spacing, nothing small or fiddly: the mark must stay legible when stitched small on a chest patch (about 45 mm).
Photorealistic macro, shallow depth of field, film grain, muted palette.
Avoid: text, letters, numbers, readable characters, logos, crowns, domes, buildings, any fine detail, hands, people, cartoon, anime, 3d render.

Photorealistic close-up product shot of a small rectangular woven fabric flag patch, 40 × 25 mm.
The Russian flag: three equal horizontal bands — white on top, blue in the middle, red at the bottom.
No emblem, no text, no letters. A thin dark stitched edge around the patch.
The patch is photographed straight on, perfectly flat, no perspective distortion, no tilt, no folds.
Soft even studio light, plain neutral grey background, 85mm, shallow depth of field, film grain, high detail.
One object only, centred, filling about half of the frame width.
Avoid: vertical tricolour, french flag, netherlands flag, yugoslav flag, wrong colour order, emblem on the flag, text, letters, numbers, cartoon, anime, 3d render, watermark, multiple patches, hands, folded or wrinkled fabric.

Photorealistic close-up product shot of a small rectangular woven fabric flag patch, 40 × 25 mm.
The United States flag: a blue canton with small white stars in the upper left, and thirteen horizontal red and white stripes.
No extra emblem, no text, no letters. A thin dark stitched edge around the patch.
The patch is photographed straight on, perfectly flat, no perspective distortion, no tilt, no folds.
Soft even studio light, plain neutral grey background, 85mm, shallow depth of field, film grain, high detail.
One object only, centred, filling about half of the frame width.
Avoid: wrong number of stripes, missing stars, union jack, confederate flag, liberian flag, malaysian flag, wrong colours, emblem on the flag, text, letters, numbers, cartoon, anime, 3d render, watermark, multiple patches, hands, folded or wrinkled fabric.

Photorealistic product shot of a realistic hard-shell EVA helmet standing on a dark matte surface, three-quarter view.
Off-white shell with graphite panel details, visible panel seams and small fasteners; a wide curved clear visor with a mild neutral anti-glare coating — the inside of the helmet is visible through it, not mirrored and not opaque; a small retractable gold sun-shade above the visor, raised; a hard neck ring with two flat side latches and a circular hinge mechanism at each side; a short chin bar.
No letters, no logos, no agency patches.
Soft even studio light with one clear highlight along the visor, dark neutral background, 85mm, shallow depth of field, film grain, high detail.
One object only, centred.
Avoid: mirrored visor, opaque visor, gold visor instead of glass, round fishbowl bubble helmet, letters, numbers, logos, patches, cartoon, anime, 3d render, plastic toy look, astronaut in frame, hands.

Photorealistic product sheet on one image: four views of the SAME hard-shell EVA helmet side by side in one row —
front view, three-quarter view, side profile view and back view. The helmet stands on a dark matte surface.
Off-white shell with graphite panel details, visible panel seams and small fasteners; a wide curved clear visor with a mild neutral anti-glare coating — the inside of the helmet is visible through it, not mirrored and not opaque; a small retractable gold sun-shade above the visor, raised; a hard neck ring with two flat side latches and a circular hinge mechanism at each side; a short chin bar.
The same helmet in all four views, same size, same proportions, same lighting. No letters, no logos, no agency patches.
Soft even studio light, dark neutral background, 85mm, deep focus, film grain, high detail.
Four helmets only, evenly spaced in one row.
Avoid: different helmets between views, different proportions, mirrored visor, opaque visor, gold visor instead of glass, round fishbowl bubble helmet, letters, numbers, logos, patches, cartoon, anime, 3d render, plastic toy look, astronaut in frame, hands, multiple rows.